Friday 5 September 2008

Download Skye Sweetnam mp3






Skye Sweetnam
   

Artist: Skye Sweetnam: mp3 download


   Genre(s): 

Pop
Rock

   







Discography:


Sound Solider
   

 Sound Solider

   Year: 2007   

Tracks: 12
Noise from the Basement
   

 Noise from the Basement

   Year: 2004   

Tracks: 14






Skye Sweetnam grew up in the diminutive Toronto suburban area of Bolton, where she studied prate and dance from a edward Young eld. By her early teens she'd affected on to songwriting, and recorded a demonstration with the help of a local Bolton music school. A combination of fortune and marketability brought the demo to the attention of Canadian label execs, wHO hooked Sweetnam up with a local producer and instrumentalist named James Robertson. Together, Robertson and Sweetnam hammered out the bodily structure of what would become Noise from the Basement, her Capitol Records debut. The single "Billy S." appeared in July 2003 on the soundtrack to the Mandy Moore vehicle How to Deal; the song's overbold popternative sound proven quite a popular, making some waves in the U.S. and hit the top pip on Canada's Disney Channel-style offering, YTV. Sweetnam supported the single with a spell of summertime camps. She too began downplaying the comparisons to Avril Lavigne to whoever would listen, though the computing machine address seemed valid based on their similar fosterage and sculptured, rock-based legal. The class 2004 began promisingly for Sweetnam, with the declaration of a March issue particular date for Noise from the Basement and a new single in "Tangled Up in Me"; she besides landed the gap bespeckle on Britney's Onyx Hotel turn, which stretched into spring. After a yr of delays, the singer's soph record album, Sound Soldier, which featured production and piece of writing from Avril's identical Matrix squad, was lastly released in the fall of 2007.






Tuesday 26 August 2008

Mp3 music: Joan Baez






Joan Baez
   

Artist: Joan Baez: mp3 download


   Genre(s): 

Folk
Soundtrack
Other
Country

   







Joan Baez's discography:


Diamonds and Rust
   

 Diamonds and Rust

   Year: 2003   

Tracks: 11
Dark Chords on a Big Guitar
   

 Dark Chords on a Big Guitar

   Year: 2003   

Tracks: 10
Joan Baez/5
   

 Joan Baez/5

   Year: 2002   

Tracks: 14
Farewell Angelina: Remastered
   

 Farewell Angelina: Remastered

   Year: 2002   

Tracks: 14
Essential/From the Heart
   

 Essential/From the Heart

   Year: 2002   

Tracks: 15
Joan Baez sings Dylan
   

 Joan Baez sings Dylan

   Year: 1998   

Tracks: 16
Diamonds: a Joan Baez CD2
   

 Diamonds: a Joan Baez CD2

   Year: 1996   

Tracks: 16
Diamonds: a Joan Baez CD1
   

 Diamonds: a Joan Baez CD1

   Year: 1996   

Tracks: 17
Carry It On
   

 Carry It On

   Year: 1996   

Tracks: 10
Ring Them Bells
   

 Ring Them Bells

   Year: 1995   

Tracks: 15
David's Album
   

 David's Album

   Year: 1995   

Tracks: 10
Baptism
   

 Baptism

   Year: 1995   

Tracks: 23
Gracias a la Vida
   

 Gracias a la Vida

   Year: 1994   

Tracks: 14
Blessed Are...
   

 Blessed Are...

   Year: 1994   

Tracks: 20
Rare, Live and Classic
   

 Rare, Live and Classic

   Year: 1993   

Tracks: 60
From Every Stage
   

 From Every Stage

   Year: 1993   

Tracks: 20
The Joan Baez Country Music Album
   

 The Joan Baez Country Music Album

   Year: 1990   

Tracks: 17
Noel
   

 Noel

   Year: 1990   

Tracks: 14
Joan Baez
   

 Joan Baez

   Year: 1990   

Tracks: 13
Honest Lullaby
   

 Honest Lullaby

   Year: 1990   

Tracks: 10
Live In Ursus, Poland
   

 Live In Ursus, Poland

   Year: 1989   

Tracks: 16
Live in Europe '83: Children of the Eighties
   

 Live in Europe '83: Children of the Eighties

   Year: 1986   

Tracks: 14
The Joan Baez Lovesong Album
   

 The Joan Baez Lovesong Album

   Year: 1976   

Tracks: 18
Gulf Winds
   

 Gulf Winds

   Year: 1976   

Tracks: 9
From Every Stage
   

 From Every Stage

   Year: 1976   

Tracks: 20
The Lovesong Album
   

 The Lovesong Album

   Year: 1975   

Tracks: 18
Diamonds and Rust
   

 Diamonds and Rust

   Year: 1975   

Tracks: 11
Gracias A La Vida
   

 Gracias A La Vida

   Year: 1974   

Tracks: 14
Where are you now my son
   

 Where are you now my son

   Year: 1973   

Tracks: 8
Come From The Shadow
   

 Come From The Shadow

   Year: 1972   

Tracks: 12
The first Ten Years
   

 The first Ten Years

   Year: 1970   

Tracks: 23
Live In Japan
   

 Live In Japan

   Year: 1967   

Tracks: 11
It Ain't Me Babe
   

 It Ain't Me Babe

   Year: 1964   

Tracks: 16
Queen of Hearts
   

 Queen of Hearts

   Year: 1963   

Tracks: 16
In Concert Part 1
   

 In Concert Part 1

   Year: 1962   

Tracks: 13
Joan Baez - Volume 2
   

 Joan Baez - Volume 2

   Year: 1960   

Tracks: 17
Joan Baez - Volume 1
   

 Joan Baez - Volume 1

   Year: 1960   

Tracks: 13
Joan Baez
   

 Joan Baez

   Year: 1960   

Tracks: 13
Folksinger round
   

 Folksinger round

   Year: 1959   

Tracks: 12
Various Recordings
   

 Various Recordings

   Year:    

Tracks: 54
The Collection
   

 The Collection

   Year:    

Tracks: 45
Joan Baez Live
   

 Joan Baez Live

   Year:    

Tracks: 4
Joan Baez - Songs Of
   

 Joan Baez - Songs Of

   Year:    

Tracks: 11
Complete Recordings
   

 Complete Recordings

   Year:    

Tracks: 9
Ballad Book, Vol. 2
   

 Ballad Book, Vol. 2

   Year:    

Tracks: 11
Any Day Now
   

 Any Day Now

   Year:    

Tracks: 12






The virtually effected interpretative folksinger of the sixties, Joan Baez has influenced closely every scene of popular euphony in a vocation still release potent. Baez is amuck of a once-in-a-lifetime soprano, which, since the late '50s, she has frame in the overhaul of vulgar people and pop music as comfortably as a diversity of political causes. Starting out in Boston, Baez low-toned gear gained recognition at the 1959 Newport Folk Festival, then cut her debut album, Joan Baez (October 1960), for Vanguard Records. It was made up of 13 traditional songs, some of them Child ballads, minded near-definitive treatment. A chasten success on button, the album took sour later on the find of Joan Baez, Vol. 2 (September 1961), and both albums became immense hits, as did Baez's third base album, Joan Baez in Concert, Pt. 1 (September 1962). Each album went gold and stayed in the bestseller charts more than 2 geezerhood.


From 1962 to 1964, Baez was the popular fount of folk music euphony, headlining festivals and concert tours and tattle at political events, including the August 1963 March on Washington. During this period, she began to booster the work of folk songwriter Bob Dylan, and gradually her repertory affected from traditional material toward the socially conscious exploit of the emergent propagation of '60s artists like him. Her albums of this period were Joan Baez in Concert, Pt. 2 (November 1963) and Joan Baez 5 (October 1964), which contained her underwrite of Phil Ochs' "There But for Fortune," a Top Ten strike in the U.K.


Like former pop folk performers, Baez was stirred by the changes in democratic music shaped by the appearance of the Beatles in the U.S. in 1964 and Dylan's introduction of folk-rock in 1965, and she began to augment her round-eyed acoustic guitar patronage with other instruments, initially on Farewell, Angelina (October 1965). It was followed by a Christmas album, Noël (October 1966), and Joan (August 1967), albums on which she was attended by an orchestra conducted by Peter Schickele. Baez continued to experiment in the late '60s, releasing Baptism (June 1968), in which she recited poetry, and Whatever Day Now (December 1968), a double album of Dylan songs done with land mount, which went gold.


In March 1968, Baez had marital antiwar protest drawing card David Harris, world Health Organization was captive as a draught evader. Harris was a nation music fan, and Baez's turn toward land, which continued on David's Album (June 1969) and One Day at a Time (March 1970), reflected his taste. Blessed Are... (August 1971) was a gold-selling double album that spawned a gold Top Ten strike in Baez's cover of the Band's "The Night They Drove Old Dixie Down." It was followed by Carry It On (December 1971), the soundtrack to a documentary around Baez and Harris. Baez switched phonograph record label affiliation to A&M Records with Fall from the Shadows (Crataegus laevigata 1972), which moved her in a more pop direction. Where Are You Now, My Son? (Crataegus laevigata 1973) included sounds tape-recorded during Baez's travel to to Hanoi in December 1972.


In the late '60s and former '70s, Baez stirred toward pop/rock music and also began to write her own songs, culminating in the gold-selling Diamonds & Rust (April 1975), which was followed by the totally self-written Gulf Winds (October 1976). Baez stirred to the Portrait pronounce of CBS Records with Blowin' Away (June 1977), simply she left hand the tag afterward Honest Lullaby (Crataegus laevigata 1979), and her next album, European Tour (1980), was released only outside the U.S. It was some other 7 years in front she found an American record mark, Gold Castle, for Lately (1987), which was followed by the live record album Diamonds & Rust in the Bullring (Jan 1989) and Speech production of Dreams (Oct 1989). Baez touched to Virgin Records for Play Me Backwards (Grand 1992).


In 1993, Vanguard released Rare, Live & Classic, a three-CD boxed set retrospective. Band Them Bells, a live record album on which Baez was united by musical posterity care Mary Chapin Carpenter and Indigo Girls, came out on Guardian Records in 1995. Kaput from Danger, her number one studio record album in five-spot years, followed in 1997, and it was some other sextet years before the going of Dark Chords on a Big Guitar in 2003. A November 2004 concert in New York was documented on the 2005 release Bowery Songs.





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